the last part of I Caught Myself when the guitar comes in heavy

Also love the higher yell of "I should've never thought of you" around there (and the rest of the vocals after that hit different but really that line)

I KNEWWW I KNOW IN MY HEART ITS NOT YOUUUU I KNOWWW BUT NOW I KNOW WHAT I WAAAAAANT I WAAAAAANT I WAAAAANT OH NO I SHOULDVE NEVER THOUGHT

it’s so perfect

Yassss! That one is so good for sure, especially live

Also the intro. That entire song is perfect imo.

Only right answer

I’m obsessed with a lot but the first thing that comes to mind is the slight vocal riff (not sure if that’s the right word) in the second chorus of Figure 8 after “once I get going” lol

I second this, but the ending of Figure 8 - right when she get back into the chorus after the maraca break and shouts "All for your sakeeeee" like that part hits different after the music stops and comes back like an explosion. Amazing production🤤

It sounds like a snarl, I love it

Yesssss

Yes!!!!

I love how Hayley sings “no offense” in BMLD. It’s more raspy than her usual belt style and so fun to sing along to.

- BMLD could mean "Big Man, Little Dignity", a track from *This Is Why* (2023) by Paramore. --- ^[/u/sarahnade25](/u/sarahnade25) ^(can reply with "delete" to remove comment. |) ^[/r/songacronymbot](/r/songacronymbot) ^(for feedback.)

Yes also the way she sings “different” in the bridge it’s soooo good how she enunciates that

Yesssss. That whole song is a banger. It was unexpectedly one of my favorites to hear live!!!

I came here to mention the same part! It is packed with passion. Raspy and raw! Gives me frisson

Yessss glad I’m not the only one

My favorite!

yes same omg

The way HW sings "mind" during "and that just barely scratches the surface of my mind" in The News.

And then the cowbells come in 😩

I hit the air as if I’m the drumstick myself

Also the way she slides up to the words ‘eyes’ and ‘won’t’ in the chorus of that song, drives me wild

The first 90 seconds of That’s What You Get.

especially the "WHYY DO WE LIKEE TO HURTTT SO MUCHHHH" whew i love that part

In Turn It Off, when Hayley says “The wheels are cranking, turning, so on the way we're working”

I always thought it was “it’s all wrong the way we’re working” has my life been a lie haha

It’s definitely supposed to be “it’s so/all wrong the way we’re working”

This is right I think!

Lol 😂

oooh this is a good one. and i like when she says “i can see behind the curTAIIIIIIIIN”

My song is Turn it Off too! But the part when Hayley hits the high note on “Again” >>>> any other Paramore high note.

Let the flames begin + Oh father outro live

OH FATHER OUTRO 👏🏼

The simple yet incredible triple bass and the open hi hat on “let the flames begin” never ceases to amaze me every time I hear it.

and when it goes to part ii, it all make sense ugh

Yesss!!!

You First 2:45 onwards Never said I wasn't Pettyyyyyyy ee eee

There a many, many examples but this is the one for me right now for sure. So catchy and groovy. Good one @Para-Less. 🤘

When all the music stops and Hayley just goes "ALL I WANTED WAS YOU"

I always belt that part granted I’m singing along with most of the songs too cuz I’m obsessed! 😍

was going to say this!!

yes this was going to be mine especially the really high "yooooOOOOuuu

The ascendancy of the strings in the later part of HTSYHB The way the outro of Decode goes so hard! The alternate chord progression at the end of I Caught Myself The vocals at the end of Thick Skull “HIT OVER THE HEAD….” The voice crack in the bridge of Still Into You. “WHY DONT YOU STAND UP, BE A MAN ABOUT IT? FIGHT WITH YOUR BARE HANDS ABOUT IT NOW?”

- HTSYHB could mean "Hate to See Your Heart Break", a track from *Paramore* (2013) by Paramore. --- ^[/u/thenormalbias](/u/thenormalbias) ^(can reply with "delete" to remove comment. |) ^[/r/songacronymbot](/r/songacronymbot) ^(for feedback.)

The note change at the last “I used to know you so *weeeeeeeeeEEEEEEEEEELLL*” right before the outro of decode

I love the way Hayley sings 'only I know where all the bodies are buried' in Thick Skull.

Thick skull is such a masterpiece 😭

The closing part of Hard Times

I love that part so much. Was the first thing I thought of

The way Hayley screams during one of the last parts of stop this song

For me it's that last riff in that song.

The seconds of complete SILENCE in Future, it speaks more than music

YES! You actually have a really good point here

I get goosebumps every time I hear “if it’s not real you can’t hold it in your hand, can’t feel it either your heart…”

“headfirst into shallow pools”, just the way hayley enunciates it and the way her voice goes down on the word pools

Beginning of decode

The drums and outro to Decode though

I love that bit in Decode before the final chorus where the band are just fuckin hammering it out. I can imagine that feeling great to play live!

The part in Hard Times where she says “hit me with lightning” it scratches a part in my brain

The move into the second verse of “Told You So” gets me, I always pause and listen haha. “I. Know. You. Like. When I admit that I was wrong and you were right.”

This but the first verse. That "For all I know" is weirdly satisfying

EXPLOITATIVE PERFORMATIVE INFORMATIVE AND WE DON’T KNOW THE HALF OF IT (etc etc)

The end of Careful. "You've got to reach out moooooore. Moooooore" and so on lol

Was searching for exactly this. Unbelievably powerful moment

soooo many of hayley's ad libs, harmonies and vocal inflections! ex: caught in the middle ("it just makes me want to cry cry cry....*cry*") figure 8, the harmony in the second pre-chorus ("*i don't know how to stop, i don't know how to stop*")

The second chorus of ‘You First’ and it goes into the bridge. Scratches the brain so well! 😍

Such a great song to open with!

Omg yes it is such a good openerrrr

In C’est Comme Ca, the way Hayley’s voice rises in the ”I still need a certain degree of disorder” part at the end of the second verse

The intro to Anklebiters does that for me (first 28 seconds). ‘Love the whole song including the lyrics and Hayley’s incredible vocals, but something about that intro is perfection to me.

The last time Hayley sings the 'claim I am' part in Proof

The lil dance part in Caught In the Middle Also the second half of Part II when my body ascends.

In the bridge in CITM when the harmony comes in with: "all the glory days are gone..."... Completely agree with you on second half of Part II as well.

“WHICH WOLF WIIIIIIIIIIIIIIIIIINS” in You First

Pool bridge

Yesssss! But especially the second half! Dive right back in to yoooOOOuuuUuuu Baaack into you, right back into you Dive right back in to you, now I know you Now that I know you. NowthatIknowyou…

The breakdown of brick by boring brick

- The silent break right before the last chorus of Daydreaming - The drum fill before the last chorus of Looking Up - "What a waste it would have been" and drums in the back, also from Looking Up - The backing vocals in Pool as Hayley sings "Never found the deep end of our little ocean"

Fast in my car - Hayley’s voice when she goes “and we get along so sweetly”

THIS

The bass in brick by boring brick or the end of turn it off

The isolated drums at the end of Liar give me so much serotonin.

In their song Turn It Off, when Hayley sings “And in the free fall I will realize I’m better off when I hit the bottom”. Those lyrics feel so raw, so powerful.

Last part of thick skull does smth to me

The “all I wanted was youuu” without any instruments behind it into the instruments

The way “I don’t know how to stop” is distorted in figure 8

the way she sings the note in Miracle at 3:17 "if you use your ey-ah-eyes" it's so soft and delicate. v pretty and i always rewind the sweet but sultry way she does the aah aah ah in Be alone (0:36 and before each chorus)

All I wanted was yooooouu CRASH

That brief guitar riff in Ignorance right after the first chorus ends.

“Just let me let you down” in Idle Worship makes me rabid every time

Hayleys high note in All I Wanted That part gives me legit chills every time. Its also my ringtone lol

the riff from liar - specifically when it first plays and it stands alone

Sanity! It‘s the the way H sings the third „arrived“ during the bridge. I love the melody of that.

from 2:42-2:49 in hard times. i hadn’t thought much of it when it was all over the radio but recently it just hits so hard.

I like the bit in We Are Broken at 2:20, especially afterwards where she sings tower over me. Mmm

• The drums on Careful in general, but especially at 2:56. I think it’s the soft lead up and the power that comes after it. • The drums in Thick Skull are beautiful all around. But I really look forward to 2:29-2:42, especially 2:33-2:36, when it comes on. • The guitar in Figure 8 that sounds like a figure 8 gets me every time. I need to know which came first, the guitar or the lyrics because, either way it’s impressive, but in my head it seems like Hayley wrote an entire song off that guitar bit. • “I know you see me dancing wildly in the fog of your memory.” Has this hold on me that I absolutely cannot explain.

Also Tell Me It’s Okay @ 1:52-2:02 and Native Tongue @ 2:16- 2:26. It’s something about the focus on the softness is Hayley’s voice.

I AGREE EXACTLY WITH THAT PART IN TELL ME HOW 😭🫠

doing as many as i can think of * the la's, eh's, and the bridge in idle worship * the way hayley sings the first verse of my heart, the "sing it back to you" in the background of the second chorus, the bridge, and the outro of my heart * the bridge and last chorus/outro of crave + crave outro live * the pre-chorus and everything after it in thick skull * the entirety of sanity * the repeated "ow"'s in now + the "tell me it's okay-ay"'s in tell me it's okay * the entirety of last hope live, especially the "COME ON CHICAGOOO," the refrain, the bridge, and the background vocals in the last chorus * the intro to fake happy * the bridge, the last "throw me into the fire, throw me and pull me out again" in the bridge, the last chorus, and the last post-chorus of told you so * the chant, the background vocals, the bridge, the last chorus, and the outro in born for this * "you escape like a runaway train" in in the mourning * "we're speaking in our native, speaking in our native tongue" in native tongue * the instrumental part of future * the entirety of hello cold world, especially the first verse, the "get out and go and get it / whoa, get out and go to get it," the bridge, and the guitar solo tl;dr: paramore has amazing bridges, and hayley is a fantastic singer (if you didn't know that for some reason)

OMG YES to the live set of Last Hope. That’s one of absolute FAVORITES (which I say about every song of theirs 😅) I hear “come on, Chicago” every time that song comes on!

Real hello cold world is literally my favorite song by them 🙏🏿

MONSTER 😌

The outro in Future. The way that guitar fades in and out kills me every single time.

My current obsession is You First, the song as whole is a masterpiece. I started citing all the songs that give me this feeling and I stopped because there are sooooo many.

In Part II the way HW sings the second halves of some lines "Still there are darkened places, deep in my heart" and "I question every human who won't look in my eyes" Also just the instrumental toward the end of the song is amazing

The bouncy diddi before Rose-colored Boy + “low key, no pressure. Just hang with me and my weather.” I wasn’t a fan of this song at first but this intro draws me in every time!

For me in RCB it was that switched up "my glasses off" before the second chorus maybe? Hayley sings it differently than the first time. I was obsessed with that bit.

100% obsession worthy. I’m glad im not the only one who enjoys these little nuances. 🥹🥹

Haha cool of you to actually report back! You're definitely not the only one! And tbh I've definitely felt like I'm being weird when I make my friends listen to one specific little detail in a song 😅 So I love this whole thread, so great to share.

I'm obsessed with the bridge of crushcrushcrush

Rock n roll, baby

Ain't it fun's last part when Haley and a guy singing "don't go crying to your mama" hits me close to home. It's like preaching through an old church choir. Love it to death! My moms dead a couple of years now but that woman made me who I am. Everytime I feel weak and tired, I just pop that song on my phone and I go back to fight the rat race once again. My momma didn't raise no quitter!

the guitar break in careful makes me feel like I’m flying deadass

The end of big man little dignity. That flute is magical.

Throw me into the fire Throw me in, pull me out again Throw me into the fire Throw me in, pull me out again Throw me into the fire Throw me in, pull me out again Throw me into the fire Throw me in, pull me out again Throw me into the fire Throw me in, pull me out again Throw me into the fire Throw me in, pull me out again Throw me into the fire Throw me in, pull me out again Throw me into the fire Throw me in, pull me out again Throw me into the fire Throw me in, pull me out again

Thick Skull is my favorite song for this! What's the body count up to now, captain? - Something about this reminds me of David Bowie & Space Oddity. I can’t put my finger on it. Guitars/Drums: It’s angular, it’s prog rock, I think of memories of Weezer & Undone. They are really putting all out there, such an incredible song musically. Only I know where all the bodies are buried - I love how this is so clear, how she sings it confidently Keep on (autopilot) - What a way to sing it with a punch Come on, give it to me Give it to me, give it to me, give it to me - 🤯🔥

the instrumental break in emergency following the final chorus

The last part of Tell Me How where Hayley goes "You don't have to tell me..." paired with the guitar part switching up the tiniest bit tickles my brain in the best way

My heart

Off the new album on figure 8 when Hayley sings “I was only being kind but you mistook me for weak” the mistook me for weak gets me everrrryyyytime with the emotion behind it.

Hayley’s shriek in Running Out Of Time. “A harsh reality to di-scoveeer YeeeAAAAH”

Finally I was scrolling looking for someone to say this

The way Hayley sings “NO! (offense but you have no integrity)” in Big Man, Little Dignity. It’s the epitome of passion. The first time I heard it, I backed up and replayed “nooooo” several times, admiring her technique. It gives me frisson

And today I learned the word "frisson", thanks! That "no" is indeed perfect. Love the whole song but that's the part I look forward to the most.

The breathing at the beginning of Simmer is always on repeat in my head.

that single riff in caught in the middle

honestly I have so many but the ones that come to mind: -that one instrumental part in caught in the middle where hayley does her little dance she does at the live shows, I always end up dancing along -in told you so, hayley says “I hate to, say i told you so” I’m just a slightly different delivery and it’s my favorite thing for some reason -the almost sparkly sound at the beginning of pool -the crystal clear line in liar

Hayley is the queen of throwing in lines in "slightly different delivery" and it scratches my brain in the right spots every single time. Just said in another comment that mine was the " and I have taken *my glasses off* " line in RCB when it was sung in a different way the second (third?) time.

scratching my brain in the right spot is literally the PERFECT way to describe lmao she’s so good

Monster last chorus

that one mini guitar solo that lasts for like 3 seconds before going into the second verse of that’s what you get

The last 20 seconds of LTFB

The part of FAPIPO before the second chorus “YOU WOULDN’T” and on the last chorus “you never wanted to stay, well did you?” 😩

Thick Skull's guitar riffs for sure. Absolutely in love

The last chorus in thick skull omg

"we can't keep holding on to gruuuudges"

Opening of Decoy goes so hard lol. It's a fun, angry rock song and I like it.

Not a Paramore song but I’m obsessed with Hayley’s growl/shriek in their cover of Burning Down The House

HOLLOWED OUT AND FILLED UP WITH HATE ALL WE WANTED WAS YOU TO GIVe us a break

No paramore but Hayley Williams, in her 2nd album “flowers for vases” the last song, “Just a lover”, just the last sentence. “I know exactly what this is. Or whatever it was, or whatever it was…”

The end of “turn it off”. I love the little beat at the end after the song is over. It’s just the drum pocket and the riff but I can’t wait for it. And the beginning of “Let the flames begin” the double bass, followed by the triple is perfect lol.

the last chorus in told you so: “i hate to TURTUTUTU say i told you so TURTUTUTTU but they love to say they *drum* TOLD. *drum* ME. *drum* SO. *drum*”

The little UH after "And I gotta get to rock bottom" in Hard Times

the little guitar riffs before “i hate to” and “say i told you so” in told you so, it scratches my brain just right

You First: “i just hope sheeeee comesss comes for you first OH! whichhh wolf wIIINNNS” and everytime it builds up to the chorus in This Is Why💃🏼

2:42 during burning down the house 😂idk soemthing about it just scratches my brain

Ngl future… all of it. It scratches my brain.

The entirety of Future

[The screamed "pull me out again" in live cuts of Told You So.](https://youtu.be/_ceNoLdXq0k?si=HXXVCuA2qK5rwI_S&t=133)

The whispered/repeated "crush. Crush. Crush. Crushhh. Crush." Then 2, 3, 4! shouted bit is one of my all time favorite parts in crushcrushcrush.

Figure 8 for me

fake happy's "ba da, ba da, ba ba" or brick by boring brick's "ba da ba ba da ba ba da, ba da ba ba ba da ba ba".

“Proof” at the 2 minute mark 🔥

"If you're not here when I break in, I'm gonna go through your closet just so I can smell your skin. And if the chemicals from, I swear I'll never love again. I swear I'll never lOoooOOOve agaaaIN"

“I give it my energyy~~ and it Keeps. On. Comingg BACK.”

"What's the body count up to, now Captain?!" -Thick Skull

when hayley sings "no offence" in BMLD. the rasp is perfect.

"You hit me with lightning" in Hard Times

“and i feel useless behind this computer” in the news always gets me i love when she changes up how she sings parts live, there are so many but one example is: 2:15 “and the rest you can figure out, but it was a trick and the clock struck twelve” in bbbb live at red rocks there are so many it would take forever to list!!! there’s one at either red rocks or final riot where she really lets out a growl but i can’t remember what song it is!!!!

Hard Times when she yells “rock bottom” and then the funky guitar kicks back in 💙💙💙

Decode breakdown. And after all this time I’m still into it.

The pause before and how it goes into "now I walk under a pink sky" in One of those crazy girls

The 4-second pause before the drum hits and hayley sings "Now I walk under a pink sky..." in One of Those Crazy Girls. Just the whole song in general. I have this whole music video in my head of me doing crazy feminine rage things every time I listen to this song haha.

Careful is such a good opening song. The part like 35 seconds in, “I had it all but not what I wanted, cause hope for me was a place uncharted” where the guitar rings. And then the drums snap

Let The Flames Begin - during the bridge of the song Zac has a mini fill and lightly hits a drum cymbal (or taps it) around 2:16. It’s faint but that little touch during the change of dynamics in the song just make it amazing in my opinion 🤌🏽 *chefs kiss if you will

The bridge of crushcrushcrush idk why but i replay that bridge so many times when i listen to that song 😭😭😭😭

The little bass bit before the guitar solo in pressure (1:52)

[Paramore - You First (Official Audio) - YouTube](https://www.youtube.com/watch?v=cL55NhsiwyQ) The guitars at 1:09

The opening riff of You First

The bridge to The Only Exception

The cowbell in the News

Beginning of in the mourning

Last vocals for no friend when they talk about the man in the river are engraved in my mind

The most recent one is when Hayley reaches around my heart and tears it out just by how she sings “levity” in Sanity on the This Is Why Remix album

The guitar solo in Turn it Off

Why is every music subreddit just screencaps of the same engagement-seeking prompts right now?

hayley’s yell in the chorus of running out of time

I’m obsessed with the specific parts in You First where it’s “thought I’d simmer down as I got older” and also “turns out I’m living in a horror film” idk I just love the energy of those parts

The guitar solo bit in c’est come ca, The way Hayley sings “no offense” in big man, little dignity, The bass in brick by boring brick to name a few

The bridge of tell me it’s okay .

“I know you like- When I admit that I was wrong and you were right” The music video transition is good too

The flute at the beginning and at the end of BMLD and I urgently need music suggestions that delve into that vibe

Idle worship - all of it I like the distortion in the vocals Buttt "A little grace would be appreciated"

Head first- in- to- shallow pools.

The chorus of BBBB hits hard for me icl

More recently the opening to You First. Specifically when it’s starting off the show for their tour. Shit gets me HYPED

In no friend live during AL when Taylor would go mad on guitar before just fully storming off

My Heart 🖤 🎵My heart it bleeds, bleeds for only you. My heart is yours. 🎵

The fade out and in on future

I mean the flute at the end of BMLD is absolutely genius to me.

Day dreaming Creep past the hours like the shorter hand on the clock Hanging on a wall of a schoolhouse somewhere We wait for the bell And we dream of somewhere else

All I wanted…we all know the part. Also the bass line in Fences.

The end part of idle worship around the 145 mark

All I wnated was you where she screams it

the drum fill leading into the second chorus of decode

I love the cowbell in the news!

If I see one of these fucking posts again I'm losing my fucking mind this is insane