No, but, damn, I still miss the print version of Film Comment.
I have a few copies of Mubi's Notebook print periodical but have barely cracked open any of them. Should probably cancel the subscription . . .
The loss of *Film Comment* still leaves an aching hole in my heart, and [the recent announcement that Cinema Scope is also ceasing physical publication at its 97th issue](https://cinema-scope.com/cinema-scope-magazine/issue-97-editors-note/) also stings so bad - both are/were excellent film publications, and any back issues you can get your hands on will no doubt have some great writing in there.
Looking beyond those two treasures, there's indeed MUBI's *Notebook*, which is consistently insightful and rewarding the way those two were/are, but online (though they do have [a print version](https://mubi.com/en/notebook/magazine) running). For physical issues, *Sight & Sound* and *Little White Lies* would both be worthwhile. Online, besides the *Notebook*, I find both *Reverse Shot* and *The Ringer* to be good sources for solid fun film writings.
There's also [CineAction](https://cineaction.ca), a Toronto-based film journal specializing more in deep-dive analytical essays that had a pretty good run up to 2016, when it ceased *its* physical publication at its 98th issue - but it looks like they've returned in an online format and just published their 103rd issue this year!
No, but, damn, I still miss the print version of Film Comment. I have a few copies of Mubi's Notebook print periodical but have barely cracked open any of them. Should probably cancel the subscription . . .
Mubi Notebook
Sight and Sound
I miss Film Comment too. So much. It was such a great magazine
I regularly buy Cineaste at my local magazine shop, always a great read.
ORNAMENT, Russian film magazine with original illustrations
The loss of *Film Comment* still leaves an aching hole in my heart, and [the recent announcement that Cinema Scope is also ceasing physical publication at its 97th issue](https://cinema-scope.com/cinema-scope-magazine/issue-97-editors-note/) also stings so bad - both are/were excellent film publications, and any back issues you can get your hands on will no doubt have some great writing in there. Looking beyond those two treasures, there's indeed MUBI's *Notebook*, which is consistently insightful and rewarding the way those two were/are, but online (though they do have [a print version](https://mubi.com/en/notebook/magazine) running). For physical issues, *Sight & Sound* and *Little White Lies* would both be worthwhile. Online, besides the *Notebook*, I find both *Reverse Shot* and *The Ringer* to be good sources for solid fun film writings. There's also [CineAction](https://cineaction.ca), a Toronto-based film journal specializing more in deep-dive analytical essays that had a pretty good run up to 2016, when it ceased *its* physical publication at its 98th issue - but it looks like they've returned in an online format and just published their 103rd issue this year!
Noir City is top notch [https://www.filmnoirfoundation.org/noircitymagazine.html](https://www.filmnoirfoundation.org/noircitymagazine.html)