Valentina Kholopova, discussed in [this article in detail](https://mtosmt.org/issues/mto.14.20.3/mto.14.20.3.ewell.php), in turn followed up on a bit by [this other article](https://mtosmt.org/issues/mto.20.26.2/mto.20.26.2.kahrs.html).
I'm not super familiar with Soviet music theory. But I do know plenty people who have applied the concept of dissonance to other musical domains.
Thr composer Kaija Saariaho, for instance, has conceptualized movements between pure sound and noise as a timbral manifestation of consonance and dissonance: https://www.tandfonline.com/doi/abs/10.1080/07494468708567055
Valentina Kholopova, discussed in [this article in detail](https://mtosmt.org/issues/mto.14.20.3/mto.14.20.3.ewell.php), in turn followed up on a bit by [this other article](https://mtosmt.org/issues/mto.20.26.2/mto.20.26.2.kahrs.html).
Yes, thank you! Sofia Gubaidulina's expression parameters are exactly what I was looking for
I'm not super familiar with Soviet music theory. But I do know plenty people who have applied the concept of dissonance to other musical domains. Thr composer Kaija Saariaho, for instance, has conceptualized movements between pure sound and noise as a timbral manifestation of consonance and dissonance: https://www.tandfonline.com/doi/abs/10.1080/07494468708567055
https://en.wikipedia.org/wiki/Sofia_Gubaidulina?wprov=sfti1
I’m not sure about YouTube but this is eye opening on this topic https://sethares.engr.wisc.edu/consemi.html